HISTORY AND THEORY OF MUSIC ART AND CULTURE
Ostroukhova N. French theater of madame Emilia Keller in Odessa.
Nivelt O. Robert Schumann: romanticist-innovator.
Timchenko-Bykhun I. The trilogy of mazurkas by M. Glinka in 1834-1835 and its literary meanings.
Muravskaya О. Eastern christian culture in determining the ways of development of european musical and historical traditions.
Dovgalenko N. The serial’s structures in compositions by V.Silvestrov.
Balan E. Expressive aspects of Franck’s works (using the cycle «Prelude, horal, fugue» as a case study).
Chuprina N. Rococo and sentimentalism as the genesis of biedermeier's ethics and aesthetics (on the example of clavier / piano art at the turn of XVIII – XIX centuries).
Kaznacheeva T. National dance trends in operas «The siege of Dubno» by P. Sokalskiy and «Taras Bulba» by N. Lysenko based on the story by N. Gogol.
Lysenko N. Poetics of cantata genre and its implementation in choral works by S.S. Prokofiev.
Pochapska M. Repertoire in terms of policy: changes in the musical life of Lviv since september 1939.
Mishchuk V. Cristóbal Halffter «Don Quixote» Opera: Traditional and innovatory in the interpretation of «eternal» character.
Shvets К. Phenomenon of violin cover in the context of modern mass music culture.
Dolynska L. Child theme and imagery in choral music: artistic and communicative aspect.
Eltek I. Evolution of interpretation of Ivan Franko's poetry in Myroslav Skoryk's works: from neofolklorism to egalitarianism.
Lu Keting. Verismo and symbolism in piano plays of Odessa composers in the 1950-s – 1960-s (by example of works made by K.Dankevich and S.Orfeev).
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY
Zavgorodniaya G. The phenomenon of the musical space in the aspect of traditions: East-West.
Osadchaia S. The problem of collegiality (sobornost) as a factor of the author's style of orthodox liturgical tradition.
Grybynenko Y. Historical preconditions for the formation of polystylistics in music.
Chernoivanenko A. Concerning the issue of musical instrument classification.
Ovsiannikova-Тrel А. Cultural aspects of the study of the film music of ukrainian composers.
Maidenberg-Todorova K. Improvisers orchestra as communicative phenomenon in modern music culture.
Pristalov I. The concept of energy – energeticalness in music and musicological terminology.
Strilchuk О. Vectors musical time in the works of Olivier Messiaen.
Formaniuk I. Pieces for solo domra: philosophical-aesthetic and musical-technological base of miniaturization.
Fedorova А. New communicative-applied functions of classical music: to the problem of musical subsculture.
Wang Chenduo. The problem of children's theme in the science and art of the ХХ c. and its prolongation into the children's cycles of B. Bartok and V. Kosenko.
Bai Quan. Opera melody as a subject of musicological discourse: to articulation of the issue.
Lew Tseu. The category of «concept» in the paradigm of european and chinese music cultures.
Wu Huimin. Vocal intonation as a factor of semantic typology of opera creative work.
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE.
Oganezova-Grigorenko O. Artistic katarsis as emotional-sense transformation of the person actor of musical.
Seleznyova N. Problems of formation of the pianists’ hearing based on the materials of the modern music in the course of choir score reading.
Sapsovich A. Piano sonata by S. Slonimsky: features of shaping and performing interpretation.
Murza A. V.V. Andreyev tours in 1912-1913 and their role in the formation of the balalaika art of Ukraine.
Marushko M. Typological functions of music and performing dialogue and modern performing practice.
Rusnak Yu. Traditions of the german painoforte higher school in the world’s performance.
Benderov V. Dialogue of epochs in opera (on the issue of an artist preparation for presentation of the artistic image of an opera character).
Polianska T. Trio sonatas by A. Vivaldi and G. Telemann in the light of cooperation and confrontation of italo-german artistic traditions.
Kondratenko I. The Odessa period of life and creativity of an outstanding regent Mikhailo Litvinenko.
Antropova A. Genre of string quartet in the work of the odessa composers’ school.
Du Fanyong. Lord Arthur's party in the opera "I puritani" by Bellini as the center of poetry in the heroic line of tenor singing.
Liu Nan. Interpretation problems of Mussorgsky's chamber vocal music poetics mastering.
Zhang Kai. Genre and aesthetic backgrounds of vocal-performance interpretation of opera character.
Nu Nin. One-part rondo-sonata: R. Schumann. «Rush».
He Jianhui. Bass parts in operas by R. Wagner in the alternative images of heroes and anti-heroes.
About the authors