музичне мистецтво і культура

scientific bulletin of
The Odessa National A. V. Nezhdanova Academy of Music

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Publication №21

Publication №21

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Ostroukhova N. French theater of madame Emilia Keller in Odessa. pdf-ico
Nivelt O. Robert Schumann: romanticist-innovator. pdf-ico
Timchenko-Bykhun I. The trilogy of mazurkas by M. Glinka in 1834-1835 and its literary meanings. pdf-ico
Muravskaya О. Eastern christian culture in determining the ways of development of european musical and historical traditions.pdf-ico
Dovgalenko N. The serial’s structures in compositions by V.Silvestrov.pdf-ico
Balan E. Expressive aspects of Franck’s works (using the cycle «Prelude, horal, fugue» as a case study).pdf-ico
Chuprina N. Rococo and sentimentalism as the genesis of biedermeier's ethics and aesthetics (on the example of clavier / piano art at the turn of XVIII – XIX centuries).pdf-ico
Kaznacheeva T. National dance trends in operas «The siege of Dubno» by P. Sokalskiy and «Taras Bulba» by N. Lysenko based on the story by N. Gogol.pdf-ico
Lysenko N. Poetics of cantata genre and its implementation in choral works by S.S. Prokofiev. pdf-ico
Pochapska M. Repertoire in terms of policy: changes in the musical life of Lviv since september 1939.pdf-ico
Mishchuk V. Cristóbal Halffter «Don Quixote» Opera: Traditional and innovatory in the interpretation of «eternal» character.pdf-ico
Shvets К. Phenomenon of violin cover in the context of modern mass music culture.pdf-ico
Dolynska L. Child theme and imagery in choral music: artistic and communicative aspect.pdf-ico
Eltek I. Evolution of interpretation of Ivan Franko's poetry in Myroslav Skoryk's works: from neofolklorism to egalitarianism.pdf-ico
Lu Keting. Verismo and symbolism in piano plays of Odessa composers in the 1950-s – 1960-s (by example of works made by K.Dankevich and S.Orfeev).pdf-ico


Zavgorodniaya G. The phenomenon of the musical space in the aspect of traditions: East-West.pdf-ico
Osadchaia S. The problem of collegiality (sobornost) as a factor of the author's style of orthodox liturgical tradition.pdf-ico
Grybynenko Y. Historical preconditions for the formation of polystylistics in music.pdf-ico
Chernoivanenko A. Concerning the issue of musical instrument classification.pdf-ico
Ovsiannikova-Тrel А. Cultural aspects of the study of the film music of ukrainian composers.pdf-ico
Maidenberg-Todorova K. Improvisers orchestra as communicative phenomenon in modern music culture.pdf-ico
Pristalov I. The concept of energy – energeticalness in music and musicological terminology.pdf-ico
Strilchuk О. Vectors musical time in the works of Olivier Messiaen.pdf-ico
Formaniuk I. Pieces for solo domra: philosophical-aesthetic and musical-technological base of miniaturization.pdf-ico
Fedorova А. New communicative-applied functions of classical music: to the problem of musical subsculture.pdf-ico
Wang Chenduo. The problem of children's theme in the science and art of the ХХ c. and its prolongation into the children's cycles of B. Bartok and V. Kosenko.pdf-ico
Bai Quan. Opera melody as a subject of musicological discourse: to articulation of the issue.pdf-ico
Lew Tseu. The category of «concept» in the paradigm of european and chinese music cultures.pdf-ico
Wu Huimin. Vocal intonation as a factor of semantic typology of opera creative work.pdf-ico


Oganezova-Grigorenko O. Artistic katarsis as emotional-sense transformation of the person actor of musical.pdf-ico
Seleznyova N. Problems of formation of the pianists’ hearing based on the materials of the modern music in the course of choir score reading.pdf-ico
Sapsovich A. Piano sonata by S. Slonimsky: features of shaping and performing interpretation.pdf-ico
Murza A. V.V. Andreyev tours in 1912-1913 and their role in the formation of the balalaika art of Ukraine.pdf-ico
Marushko M. Typological functions of music and performing dialogue and modern performing practice.pdf-ico
Rusnak Yu. Traditions of the german painoforte higher school in the world’s performance.pdf-ico
Benderov V. Dialogue of epochs in opera (on the issue of an artist preparation for presentation of the artistic image of an opera character).pdf-ico
Polianska T. Trio sonatas by A. Vivaldi and G. Telemann in the light of cooperation and confrontation of italo-german artistic traditions.pdf-ico
Kondratenko I. The Odessa period of life and creativity of an outstanding regent Mikhailo Litvinenko.pdf-ico
Antropova A. Genre of string quartet in the work of the odessa composers’ school.pdf-ico
Du Fanyong. Lord Arthur's party in the opera "I puritani" by Bellini as the center of poetry in the heroic line of tenor singing.pdf-ico
Liu Nan. Interpretation problems of Mussorgsky's chamber vocal music poetics mastering.pdf-ico
Zhang Kai. Genre and aesthetic backgrounds of vocal-performance interpretation of opera character.pdf-ico
Nu Nin. One-part rondo-sonata: R. Schumann. «Rush».pdf-ico
He Jianhui. Bass parts in operas by R. Wagner in the alternative images of heroes and anti-heroes. pdf-ico

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