From senior editor
HISTORY AND THEORY OF MUSIC ART AND CULTURE
Rosenberg R. International tendencies in the works of Odessa composers
Osadchaya S. Evolutionary role of “transition ages” in the development of the orthodox liturgical singing: from authority of a tradition to the phenomenon of authorship
Muravskaya O. Genre and stylistic aspects of the opera by E. Humperdinck "Hansel and Gretel” and the traditions of the german biedermeier
Gribinenko Yu. Polystylistic aspects of composer’s poetics of Alfred Schnittke (on the example of chamber and instrumental works)
O. Sergeeva The problem of interpretation of duma-ballad genre in the second symphony by B. Liatoshynsky
Kuchma O. Features of neofolklorism in later works of R. Shchedrin (on the example of the concerto for orchestra no.4 "Round Dances")
Kaplun T. The character of Marfa – schismatic in the opera “Khovanchshina” of M.P.Musorgsky
Tymchenko-Byhun I. The first program miniature of Glinka «Farewell waltz»: autobiographical meanings and Italian musical influence.
Gorelik L. Revisiting genre and style specific nature as well as performing specifity of «Quiet songs» of V.Silvestrov
Yu. Oleynikova "Seven songs" on poems by E. Kuhlman R. Schumann: style and figurative and semantic aspects
Gadetskaya А. Everyday culture in music: interpretive possibilities and methodological perspectives (on the example of the creative biography of M.I. Glinka)
Serenko S. The phenomenon of Moses in music art. Part 2. "Moses" by Rossini, Paganini, Paganini-l.Silva
Gultsova D. Poetics of piano etudes in the french musical culture of XIX - early XX centuries
Emeliianenko M. Principles of stylistic integrity organization of symphonic works of V. Gubarenko
Lisovenko E. Structural and semantic functions of rondo and rondality in instrumental chamber music by A. Schnittke
Lysenko N. «Cantanta tale of the boy who remained unknown» by S. Prokofiev: genre and mythopoetic aspects
К. Nemchenko Implementation of elements of orthodox sacraments and liturgical inheritance in opera (as an example, "The Legend of the invisible city of Kitezh and the maiden Fevronia" by Rimsky-Korsakov)
Shevchenko Т. Stylistic transition of russian piano art of late XIX – early XX centuries
Fedorova А. Academic music in the context of contemporary music subculture: reflections on the evolution of the "classic" in the music everyday life.
Perepelytsia М. Theatricality as the main vector of development in the music of Karmella Tsepkolenko
Chzhan Kai. Temporality as a condition of stylistic characteristic of the later operatic works of R. Strauss: experience of musicological discourse
Ji Yin. Rhetorical origins of recitative forms in opera artwork of C. Monteverdi
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY
Zavgorodnyaya G. Semantics of musical language elements as an indicator of differences of western and eastern thinking
Yergiyev I. Creative artistic and theatrical concept of contemporary art "modern-accordion"
Chernoivanenko A. Poetics of "silence" in the musical instrumentalism
Bondar E. Art-style synthesis: interaction of “own” and “strange” in modern choral music
Skorik А. Violence and the subject in modern audiovisual culture
Oganezova-Grygorenko О. Acmeological consciousness as "operating technique" of autopoiesis system "actor of the musical"
Maryk V. Semantic content of the concept of "memory" in modern musicological poetics
Ionov V. The phenomenon of text in musicology: to the problem of immanent objectivity of musicology
K. Maydenberg-Todorova Improvisation as means of interpreting aleatoric-sonoric composition
Yakovlev O. Synergy of cultural identities of ukrainian regions
Pototska O. Musical work as a subject of performing interpretation in the context of musicological studios
Regrut V. Peculiaeities of stage impersonation of operatic work: from the opera text to staging interpretation
Vlasenko I. Polyatistic basis of dance symphonization
Nosulya A. The topic of expectation in the chamber opera by A. Schoenberg and M. Tariverdiev
Yezerska H. Genres of the piano music are in the works of the composers of the ХХ of century : to the question about the canonicity of the musical thinking.
Kvasnikova T. «Genre innovations of a chamber and vocal cycle in Lyudmila Samodayeva's creativity (on the example of the cycle «Five Stories about Hnyu»).
Furdui Y. Music rhythm as musicological category.
Batanov V. The universality of musical professionalism in the 20th century and activity of Xiao Yumei.
Perepelytsia O. Origins of diptych genre in the evolution of binary form.
Wang Peng. To the problem of dramatic conventionalityof opera in the light of the dialogic approach.
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE
Povzun L. . Spatial and acoustic aesthetics of intimacy in the instrumental ensemble performances.
Loboda L Functional and semantic properties of the vocal registers in operas of Baroque.
Chyrka I. Creating point orchestral sound as an important part of playing a conductor.
Khoroshavina O. Development in creativity concert Uros Doychinovich as reflection current trends of modern Serbian guitar performance
Sukhanova A. The flute in chamber and ensemble music of french composers of the first half of the 20th сentury
Polkanov A. New genre properties of chamber-vocal music are in work of modern composers.
Khmel N. Harp and bandura: modification and comparative description
Yergiyeva K. Incarnation of archetypal images in piano performing arts / on the example of 10 pieces for piano from the ballet «Romeo and Juliet», op. 75 S. Prokofiev/.
Ayisi. Fifth Piano Concerto by Prokofiev: composite and performing innovation
Bai Quan. Semantic levels opera compositions: vocal-performing aspect operalogy
Zou Wei. New interpretations of the preconditions timbre of trombone in music of the second half of XX – beginning of XXI century.
Yang Wenyan. Transformation of the piano form is in the work of impressionists : about the timbre-register features of the piano play.
Yui Le. Third Sonata in the context of compositor’s creative work of F. Chopin of the 1840-es
Poliakovska S. From jazz to minimalism: On stylistic features of music for the ballet
«THE GREAT GATSBY»
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