HISTORY AND THEORY OF MUSIC ART AND CULTUR
Zavgorodnyaya G. Creativity of Ukrainian composers in the context of the evolution of musical space.
Muravskaya O. Choir polonaises by O. Kozlovsky in the context of traditions of Alexandrian empire.
Gribinenko G. Cello and fortepiano sonata no. 1 by Alfred Schnittke within the context of evolution of author’s style.
Ostroukhova N. «Women-conductors in the interior of the Odessa opera house» (echo after a century … discoveries… coincidences …).
Batsak К. Riznich Family and Со enterprise in Odesa Italian theatre 1831-1838: the genesis of the opera foreign engagement.
Benderov V. The uniqueness of the heroic character of Radames in «Aida» by G. Verdi as the culmination of the embodiment of the conflict of feelings and duty in opera music.
Mirzoyan Е. Image of Medea in the opera of the same name of L. Kerubini and her performing versions.
Kuzmina A. Y. Olesha’s the three fat men in V. Rubin’s different operatic versions.
Zayats N. Specificity of manifestation of the principle of programmity in the piano cycles by E. Granados and M. Mussorgsky.
Litvinenko E. Spiritual foundations of choir school by K.K. Pigrov and traditions of «Orthodox cantata» in the works of Sergei Taneyev.
Antropova A. Basic directions for the development of Odessa school of composers at the present stage.
Paliychuk A. Current cultural approaches to study of literary and creativity of V. Ivasyuk.
Mishchenko T. Stylistic antinomy «relevant – «irrelevant» in modern poetics of the composers.
Oliinyk O. Musical and instrumental culture of Trylipilian civilization (to reconstruction).
Lu Keting. Provensal «provincialism» in the creativity of Darius Milhaud (based on the material of «Brazil dances» and the 2-nd suit «Scaramouche»).
Li Qing. Vocal miniatures of Claude Debussy of 1890s: new vector of artistic search.
Liu Yuthen. Typological features of the Chinese chamber-vocal lyrics in the light of relevant musicological approaches.
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY
Tyshko S. From experienced commentary to texts of musicians: «slow reading» or «reading with the stops»?
Roshchenko (Averyanova) E. Imperatives and maxims of productive scientific school of I.A. Kotlyarevsky.
Osadchaya S. Phenomenon and concept of canon as a basis of the orthodox liturgical singing tradition: from canonic form to the «spirit of creative work».
Ovsiannikova-Trel А. Eros and Ethos as imaginative dominants and value orientations of musical art.
Мarik V. Conceptual system of modern national musicology.
Vlasenko І. The development of Ukrainian schools of musicology in the context of ideas systemology.
Lapteva A. Genre and style peculiarities of concerto grosso for violin and string orchestra by Iuliia Gomelskaya.
Yergieva О. Emotional intellect of musician-instrumentalist and transitivity of artistic-aesthetical emotions within the terms of performance-communicative situation.
Bobul І. The phenomenon of new academism in modern forms of a pop vocal.
Marushko A. The world of rhythm games of Maurice Ravel.
Lysenko N. S.S. Prokofiev’s spiritual view of life and its projections in choir creative activities.
Stepanova О. London and Viennese interpretations of pianism through the prism of the law of historical synchronization.
Wang Tie. National performing tradition as a basis of opera creative work of G. Verdi.
Wu Huimin. Phenomenon of image-role intoning in opera: hermeneutic aspect.
Du Zhou. The image of the author in the West-European chamber-vocal music of the romantic period.
Ma Shinsing. Categorial basis of musicological study of piano-performing tradition.
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE
Androsova D. Salon tradition in formation of clavier symbolism of pianistic art of S. Rachmaninov – performing musician and composer.
Оganezova – Grigorenko О. Performer’s consciousness self-dialogue as professional-personality factor of autopoiesis.
Fedchun T. Bases of formation of fortepiano concert-performance traditions in Western Ukraine in the context of political socio-cultural processes.
Burkatska T. Some issues of vocal ensemble sonority creation technology.
Dolinskaya L. Children's collective courses in the temporary tradition: ways of interaction of «childhood» and choir singing practice.
Shevchenko T. To a question of performing interpretation piano music of N. Metner.
Tereshyna-Osheka М. Style evolution of the generic form of the string quartet in the creativity of B. Tishchenko.
Pokaz А. On specificity of virtuosity in jazz piano improvisation.
Yergieva E. Interactive cooperation between musician and listeners during the process of concert artistic communication.
Gultsova D. The phenomenon of romantic virtuosity and pianoforte creativity of С. V. Alkan.
Kadantseva N. Aria genre in correction of methodological studies of vocal teaching in a high school.
Zhu Xiaole. The pianoforte cycle by F. Liszt «Christmas tree»: a new concept of children's music.